Touches: Grandsire Doubles
How to use this touch reference:
The table lists rotations of the touch calling (when it’s multiple part and worthwhile).
The stable bells are the easiest to call from: they do the same thing in every part of the touch.
The part cycle tells us what the other bells are doing: for example, (243) means that 2, 4 and 3 cycle through each other’s starting point in each part (2 → 4 → 3 → 2).
A green row suggests that is the most standard (or musical) way to call it.
This a not a full list of possible G5 touches; for that see Complib.
Featured touches
79: PSPB PSBP
| Touch | Call from | Music |
|---|---|---|
| PSPB PSBP | 5 | Q Th Kh B |
Possibly the nicest touch of Grandsire Doubles?
- All the music without having to ring a full 120
- Music is equally spaced out in the 2nd half
- Easy to call (just don’t forget the
BPat end) - Not overly short
Call from the 5 (best): alternating 3rds and d.d. 4-5 up.
Can also call from the 4: alternating single 2nds and d.d. 4-5 up (in-out hunt) (but be careful how long you’re in the hunt!)
59: BSPSBP x 3
| Touch | Call from | Music |
|---|---|---|
| BSPSBP | 5 | Q Th Kh B |
- All the music without having to ring a full 120
- Music is equally spaced out in the 2nd half
Call from the 5: you do 3rds (unaffected) at the bobs, and d.d. 4-5 up at the singles.
Wedding Touch: 59/100/120
The 59 above is the shortest part of this wedding touch:1
60: PB x 3
| Touch | Length | Music |
|---|---|---|
| BSPSB P | 59 | Q Th K B |
| BSPSB SP BPS | 100 | Q Th K B |
| BSPSB SP SBSPS | 120 | Q Th K B |
The music all happens in the initial 59 touch (which is what you want in case you just ring the 59).
Classic touches
60: PB x 3
| Touch part | Call from | Part cycle | Music |
|---|---|---|---|
| PB | 5 | (243) | Kh |
| BP | 3 | (254) | K Bh |
Call from the recommended bell and you just alternate 3rds and d.d. 4-5 up.
Often called as PB x 3, but BP x 3 is more musical.
120: PBPSPB x 2
| Touch part | Stable bells | Part cycle | Call from | Music | Notes |
|---|---|---|---|---|---|
| PBPSPB | 3, 5 | (24) | 5 | Qh T K | Music appears in final quarter |
| PBPBPS | 4, 5 | (23) | 5 | Q Th Kh | Music appears in middle third |
Usually called as PBPBPS x 2, but this way is more musical.
This is just the 60 with a bob replaced with a single, repeated.
Calling from 5 and you’re still just alternating 3rds and double 4-5 up.
Although it’s a 120, and so has all the music, you still have some choice of which music is at backstroke or handstroke, and where the music appears (personally I like it when the music all rolls up just before the end).
80: PSPB x 2
| Touch part | Stable bells | Part cycle | Call from | Music |
|---|---|---|---|---|
| PSPB | 4, 5 | (23) | 5 | Q Th Kh |
| SPBP | 3, 5 | (24) | 3 | Qh T K Bh |
All the music without having to ring a full 120.
A simpler variation of all-the-music 79.
Other touches
59: PSP x 2
| Touch part | Stable bells | Part cycle | Music |
|---|---|---|---|
| PSP | none | (2534) | - |
Comes round at handstroke.
Every bell does all the possible work at a single.
40: S x 4
| Touch part | Stable bells | Part cycle |
|---|---|---|
| S | none | (2435) |
Every bell does all the possible work at a single.
40: SP x 2
| Touch part | Stable bells | Part cycle |
|---|---|---|
| SP | 3, 4 | (25) |
| PS | 3, 5 | (24) |
20: BB
Single part.
240: SSSBSSSP x 3
| Touch part | Stable bells | Part cycle |
|---|---|---|
| SSSBSSSP | 3 | (254) |
Produces every change at handstroke and backstroke; easiest to call of three possible 240s with this property (rotations aside).
Tips
- When you’re at the leadhead for Queens (135246): calling SBP goes through tittums, kings/whittington, backrounds, coming round at handstroke.
a wedding touch (AKA trapdoor touch) is where you have choices about how quickly it comes around mid-touch ↩︎